Because I just finished the audiobook yesterday--read by one of my favorite audiobook readers, Robert Glenister (actor, brother of Philip)--and am a bit grumpy about it. (Though Robert Glenister does a terrific job, as always. ♥)
The thing is, it's full of cliches (which granted I might call "tropes" if I liked 'em better) that feel so worn out and negative. Not that an old trope is a bad thing--detective stories are a big old trope in action!--but I don't know, things felt old in a tired/irritating way, not in a classic/familiar way.
The one that bugged me maybe the most (other than the identity of the killer, which will be under cut) was the whole setup and dynamic with Cormoran Strike (detective)'s new assistant. She's a young woman, who ends up basically caretaking and mommying him, cleaning up the office, making him tea, asking what's wrong, following & nannying him when he gets smashed-aggressive-drunk, managing his feelings. It's kind of like Effie from The Maltese Falcon, except with decades upon decades more time and more books having gone by so the stereotype is both exhausted and exhausting. (Also, Effie is a bit more feisty.) A naive young woman being an older man's pretty-but-off-limits-mommy, BLEAAHHHHHHHHHH.
Also, I was baffled by ( the identity of the killer, GIANT SPOILERS )
In short, wah. I was hoping I'd really like the book, partly because there are more in the series now (of course), and the audiobooks are all read by Robert Glenister. Also, it's being filmed for TV, with Tom Burke (Athos on The Musketeers) as Cormoran Strike, and that might very well be enjoyable.
Dammit, book! Be more good!