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dorinda: A vintage b&w shot in which one man whispers in the ear of another as he holds him. (whisper)
You guys you guys you guys, look at what [personal profile] lynndyre sent me as a get-well gift!



I have been gazing in a super cow-eyed fashion upon it ever since. The different hair textures, Gimli's playful finger, Legolas's elegant wrist, the peace and sweetness of their expressions... it truly is good for what ails me. ♥_______♥

Thank you again, [personal profile] lynndyre!
dorinda: Someone writing at a desk while wearing a large helmet with an oxygen tube attached (a device called "The Isolator"). (isolator)
Story for the Gimli/Legolas bang is up!

The Sound Below Sound (35449 words) by Dorinda
Chapters: 1/1
Fandom: The Lord of the Rings - J. R. R. Tolkien
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Gimli/Legolas Greenleaf
Characters: Gimli, Legolas Greenleaf, Arod, Aragorn
Additional Tags: Trauma, Ghosts, Horseback Riding, Horses, War, Hurt/Comfort, Emotional Hurt/Comfort, Self-Doubt, Panic, Slow Burn, Slow Build, Pining, Angst, Secrets, First Time, Missing Scene, Hair Braiding, Sharing a Bed, Eventual Happy Ending, Immortality, Mortality, Travel, Canon - Book, Canon Related, War of the Ring, Dwarf Culture & Customs, Elf culture & Customs, Dwarf/Elf Relationship(s), Gimli/Legolas Big Bang, gigolas bang 2014
Summary: When the Grey Company escapes from the Paths of the Dead with an army of ghosts at their heels, Legolas believes that everyone who entered the Dark Door has emerged again unharmed.

He's wrong.

Some wounds cannot be seen.



Art by Lynndyre, who was only required to create one piece for each 10,000 words, to a maximum of 3... but ended up creating NINE. \o/
dorinda: Fat Pony appears in a blaze of light! (Fat_Pony)
Huzzah, my Gimli/Legolas Big Bang story finally seems to be for-reals finished! I added a smidge more frosting at the 11th hour, to weave in a piece of emotional followthrough that [personal profile] marycrawford magically came up with. \o/

She also raked the clutter out of my final attempt at a summary. In the end, I went with something very simple that (I hope) gets across 1) where the story occurs in canon, 2) who the POV character is, and 3) ominous foreboding, which does the twin tasks of 3a) gesturing toward story tone, and 3b) not revealing quite what the problem is, but at least pointing out a hint at its nature and where it began.

So, we'll see! Now, I will spend my time fidgeting and waiting for posting-day signups, which start tomorrow. Posting begins on July 7.

I love finishing things (ummm, shocking?), especially when I have managed to at last climb out of the apparently-mandatory slough of despond I seem to predictably hit in the middle of writing, in which I am convinced the story is BORING, I HATE IT, why did I even AGREE TO DO THIS, everything is RUINED. :D In this case, I dipped into a couple of sloughs (it did take me a while to write I guess), and required some hauling out of the final slough by [personal profile] marycrawford using a block and tackle and elbow grease. I owe her some serious ice cream.

What also helped for sure was rewriting/expanding the ending, and then being able to look back afterward and see just how much that really improved everything. The very first ending was in such a rush, it was skeletal. Like, the deadline was upon me, I was cranky, everything was terrible, etc., and I wanted them to be at the happy ending without them having to actually get to the happy ending.

The amount of time built in for betaing was a big relief, because it let me have time off from looking at the story and feeling rushed, so I could look again later and actually notice the great big problems with that first ending, and know how they could be solved. Some people can totally do that on the fly right up against a deadline, but for me, rushing blurs my vision with panic and it never works out as well.

*fidgets*

ETA: [personal profile] marycrawford points out that hinting at my summary without actually saying what it is might be just too teasing. And since it wouldn't be posting any of the story itself, heck why not? It just goes:

When the Grey Company escapes from the Paths of the Dead with an army of ghosts at their heels, Legolas believes that everyone who entered the Dark Door has emerged again unharmed.

He's wrong.

Some wounds cannot be seen.
dorinda: Someone writing at a desk while wearing a large helmet with an oxygen tube attached (a device called "The Isolator"). (isolator)
I'm tinkering with revisions on my story for the Gimli/Legolas Big Bang, posting for which begins in a couple weeks or thereabouts (depending on any last-minute deadline shifts, of course).

And I find myself kind of stymied by the question of a summary. I wish there were "how-to" discussions out there about summaries, the way there are for writing in general (and fanfic writing in particular), to help me pull my thoughts together and get a sense of how to think about summaries, what makes a good one, etc.

I wonder about how important a plot precis is, vs. a setup for the story's emotional problem; how specific to be vs. how much to leave open; if it's very tightly tied to a particular canon event, does that make its way into the summary, or is that what the pre-story author's note is for? And much more. Hmm. Somehow I do not think the summary "EMOTIONS AND HORSEBACK RIDING" is going to cut it.

What do you do, for your summaries? Is it different for long pieces, vs. short? And/or, what kinds of summaries do you really like (or not like) when you're reading?

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